Note to Self 2

You know the way an idea gets into you and activates a certain form of deep concentration and connection? What if the same means by which the idea catches hold of you and allows you to run along with it mirrors the way in which ideologies catch hold of collective society and animates it?

You know the way that one attains an ideational freedom from the limits of conventional thinking in a material-form-centric existence, that is, an ideological unconscious, when one dreams, and enters into a consciousness of a slightly more independent, yet more suggestively dependent, personal unconsious? What therefore, are the layers of the unconscious as it reacts among people in society - wherefore the phenomenologically-frameworked understanding of the nature of significance of all conscious objects?

Every present is infinitely dense in teleology, reality function, psychologically layered interpretation actualized into projected significances that characterizes the force of the moment - the external is an extension of the psychological spirit - external is substantiatively underground-interpreted as the negativity of agency- limitations of agency, limited by fact - just as cause extends truth to the unobservable, truth has meaning only insofar as it extends life into the unobservable as a means to the reinterpretation of agency. The significance of truth itself integrates into a set of underlying ideological principles undergoing dynamic change at every moment. Each thing affects it in some undefinable way.

What is the symbolic function of second-order explorations, descriptions, devoid of topic but the problem of relation itself?

Real inquiry takes the form of a wrestle with personal nihilism.

Self-promotion as failure, democratization of experience of knowing is itself a reflected image in a space bound mirror, an exhausted glance.

If reality is conjoined to fact in impersonal ways, so must the recognition of the terms by which things subsist be impersonal, and the best means through which they obtain that character is through the adoption of truth through a trivialisation of its process and the idealization of its image.

The image is itself all too easily fabricated, turned, bent.